Just as we expect to see better pixel-level noise from larger pixels, logic would also lead you to expect greater pixel-level dynamic range (even though again, this advantage tends to disappear when you compare images at the same size). Yes, it is not that big a deal. Thanks to broad margins of effective pixels, focal length does not change in these aspect ratios. Liberty ain’t what you think, from the article you just read: “Not so good forRun-and-gun shooting, stills photography.”, “If you're particularly interested in stills as well as video, we'd be inclined to point you towards the standard GH5, since it offers a significantly higher pixel count and in-body image stabilization, both of which will directly benefit your still images.”, “And, while it doesn't get an especially high score in our stills-focused scoring system, we have no hesitation in awarding it a Gold for what it brings to the users it's designed for.”. 1. This camera can go everywhere you can. I am having difficulty opening the 14 BIT RAW files from the GH5s. The difference is that it's been pushed as a marketing distinction in video but not stills. I sent the first one back, thinking there was something wrong with it, but the 2nd was the same. Thanks for that. Which APS-C camera's video are you comparing it to? Sony make super 35 cameras for both video and photo, but they also make FF for photo and video, and are seriously invested in either. For the same DOF Panasonic will use 2 stops lower ISO and I don't see huge difference up to ISO12800 anyway.For rig setups this camera is excellent. AFS/MF: H: 11 frames/sec, M: 6 frames/sec (with Live View), L: 2 frames/sec (with Live View) *When H-ES12060 is used. Panasonic GH5S and Panasonic GH5 have sensor sizes so they will provide same level of control over the depth of field when used with same focal length and aperture. of any camera in the last 5-10 years? The GH5 was, and is, a fantastic camera for video, but the Panasonic GH5S goes above and beyond. Splash Proof does not guarantee that damage will not occur if this battery grip is subjected to direct contact with water. That's a different discussion from useability: the RX10 III is likely to be a better run-and-gun choice (thanks to better AF and reasonable IS) than the GH5S, but that's not what the Panasonic is trying to be, so isn't how we assessed it. Photographically it makes matters worse: there is simply no reason whatsoever to buy this for photos. So, does this mean you are now going to review other video cameras with comparable specs or only ones that have the shape of a stills camera? Not sure why everyone keeps comparing the GH5s to the A7s2 b/c the low light comparisons clearly demonstrate the A7s2 is still in a league of its own. I foresee massive price drops and ample regret for the GH5S and it’s early adopters. It is higher than 800. In the end it would only really matter for "correction LUTs". a bit of insult on still centric cameras, too. In video business they are still on top but soon will loose to Sony and Canon (when they start 4K business). At this point it's very much a cheaper SL2, though its future looks bright, as you'll learn in our initial review. Check out our sample gallery and decide for yourself. Perhaps the DPR designation could get a paralel DVR platform? I've seen a lot of great video taken by others, but for me, everything looked awful and I couldn't make out anything on the screen, which made it very difficult to shoot with. It'll be interesting to see. In the meantime, I'll see if our database can cope with calling a 19.3 x something sensor 'Four Thirds Type.'. M43 is significantly larger than 1inch but according to you it's basically the same. 60 min (rear monitor), 55 min (LVF) with H-FS12060, JPEG (DCF, Exif 2.31), RAW (14-bit / 12-bit), MP4 (H.264/MPEG-4 AVC, Audio format: AAC (2ch)). People aren't buying these cameras for the sensor size, its the cabability. Adapters allow you to use different lens mounts. This really was a thorough review. MP4: H.264/MPEG-4 AVC, H.265/HEVC (Audio format: LPCM (2ch 48kHz/16-bit), AAC (2ch)), AVCHD Progressive, AVCHD (Audio format: Dolby Audio 2ch), 3680x2760(L) / 2592x1944(M) / 1824x1368(S) / 3328x2496(4K PHOTO), 3840x2560(L) / 2736x1824(M) / 1920x1280(S) / 3504x2336(4K PHOTO), 4016x2256(L) / 2816x1584(M) / 1920x1080(S) / 3840x2160(4K PHOTO), 2752x2752(L) / 1936x1936(M) / 1360x1360(S) / 2880x2880(4K PHOTO), 59.94p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio), 29.97p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio), 23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio), 23.98p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio), 29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio), 59.94p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio), 59.94p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio), 29.97p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio), 29.97p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio), 23.98p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio), 23.98p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio), 50.00p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio), 25.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio), 25.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio), 50.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio), 50.00p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio), 25.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio), 25.00p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio), 24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio), 24.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio), 24.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio), 24.00p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio), 59.94p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM), 29.97p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM), 23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM), 23.98p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM), 29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM), 29.97p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (AAC), 23.98p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (AAC), 29.97p, 72Mbps (4:2:0 10-bit LongGOP) (AAC) (HEVC, HLG recording), 23.98p, 72Mbps (4:2:0 10-bit LongGOP) (AAC) (HEVC, HLG recording), 59.94p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM), 59.94p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM), 29.97p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM), 29.97p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM), 23.98p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM), 23.98p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM), 59.94p, 28Mbps (4:2:0 8-bit LongGOP) (AAC), 29.97p, 20Mbps (4:2:0 8-bit LongGOP) (AAC), 23.98p, 24Mbps (4:2:0 8-bit LongGOP) (AAC), 50.00p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM), 25.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM), 25.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM), 25.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (AAC), 25.00p, 72Mbps (4:2:0 10-bit LongGOP) (AAC) (HEVC, HLG recording), 50.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM), 50.00p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM), 25.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM), 25.00p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM), 50.00p, 28Mbps (4:2:0 8-bit LongGOP) (AAC), 25.00p, 20Mbps (4:2:0 8-bit LongGOP) (AAC), 24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM), 24.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM), 24.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM), 24.00p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM), 24.00p, 24Mbps (4:2:0 8-bit LongGOP) (AAC), 59.94i, 24Mbps (LongGOP) (Dolby) (Sensor output is 29.97fps), 59.94i, 17Mbps (LongGOP) (Dolby) (Sensor output is 59.94fps), 50.00i, 24Mbps (LongGOP) (Dolby) (Sensor output is 25.00fps), 50.00i, 17Mbps (LongGOP) (Dolby) (Sensor output is 50.00fps). While this may not apply to you, a bigot will always be a bigot. @Richard Butler, thank you for that explanation. It would be interesting to see how they compare, though. Your comments suggest you didn't. Plus, a LUT Display function assists your exposure and helps to show directorial intent (e.g., use V-Log to Rec.709 LUT for an HDTV look). Operation is confirmed with Panasonic SD memory card with video speed class 90. If you want a beautifully designed car, superb in so many specialised ways a Ferrari could well be what you want if you have the money.
Where To Sit United 737-900, Chevy Silverado Rmt Off Road For Sale, All My Trailer Lights Work Except Running Lights, Synonyms Of Swarming, Yukon Nik Keeps Dying, Weigh My Luggage Near Me, Cutting Breeze Blocks With A Hand Saw, Fnaf 3d Model Editor, Samsung Hw-s40t Soundbar, Advantages Of Tunnel Diode, Toyota Production System Examples, Airbus A321 Seating Chart American Airlines, Parts Of Reamer, Levoit Lv550hh Cleaning,